New single: Mondial Toboggan turns a 1991 maritime disaster into a dance track
Mondial Toboggan releases “Oceanos (SOS)”, the second single from their forthcoming album on Whales Records.
The story behind the track
Off the coast of South Africa, August 3, 1991. The MTS Oceanos is taking on water. The ship's captain orders evacuation and leaves. Among those who stay is Moss Hills, a musician hired to play the onboard shows.
Few musicians have had their finest moment mid-shipwreck. Mondial Toboggan wrote a song about it.
“Turf in USA”: how Mondial Toboggan wrote a French racehorse into a track
Garden State Park. New Jersey, 1988.
Ourasi, France’s most beloved trotter, crosses the Atlantic to race the best American horses.
In the stands, nobody doubts it. He won’t lose.
Sugarcane Hanover hadn’t read the French papers. Ourasi lost.
That defeat became a song.
“Døing Nøthing” by Løuis Mørgan
A Debut That Refuses to Rush — And That’s the Point
Artist, poet, performer, Løuis Mørgan releases his first EP “DØING NØTHING” under Whales Records, on June 13, 2025.
“All These Feelings” by Laura Grandy
Munich-born singer-songwriter Laura Grandy has released her debut album "All These Feelings" on November 29, 2024, through Whales Records. The album captures a wide range of emotions, reflecting Laura Grandy's international experiences and personal journey.
mattia galeotti
I’m Mattia Galeotti and I’m a drummer from Firenzuola, in the mountains between Florence and Bologna. I started to play drums at the music school of my hometown then I went to study jazz drums at the bachelor program of Siena Jazz University, where I graduated last year.
I’m lucky to be the drummer of Francesca Gaza “Kugelförmigkeit”.
francesca gaza
What I generally like to have is a direction, or a sort of fil rouge of any kind. It can be a musical motive, or an instrumentation that I particularly like or a text (which might also then not be used, but be there as a sub-text for me). What I generally do is that I start writing and often I feel stuck because my music indicates a pulse and a time very clearly, which I don’t really like often. So what I do, and most of the times helps me out, is to write a choral without using the piano. Just from the skeleton idea of a harmonic or melodic 3/4 voice piano part, I start imagining that it will be sung by 4 voices from Bach’s time. That often gets me out of the "stuck mode”.
What I like to have, is a little notebook with music paper where I write down small ideas, that seem insignificant, and then after a while I open it and often one of the many ideas pops out and feels right to be used.

