“Døing Nøthing” by Løuis Mørgan
A Debut That Refuses to Rush — And That’s the Point
Artist, poet, performer, Løuis Mørgan releases his first EP “DØING NØTHING” under Whales Records, on June 13, 2025.
“INSIGHT V” by Julien Marchal
Acclaimed French pianist & composer Julien Marchal returns with INSIGHT V, the fifth installment in his deeply personal piano solo series.
“Leap of Faith” by Jonathan Fitas
Now based in the quiet countryside in Normandy, French composer Jonathan Fitas returns with Leap of Faith, released with Whales Records and Maison Mujō.
“When The Dust Settles” by Edward Cross
British multi-instrumentalist and composer Edward Cross leans into this space with When the Dust Settles, his new five-track EP released via Whales Records on June 27, 2025.
“All These Feelings” by Laura Grandy
Munich-born singer-songwriter Laura Grandy has released her debut album "All These Feelings" on November 29, 2024, through Whales Records. The album captures a wide range of emotions, reflecting Laura Grandy's international experiences and personal journey.
mattia galeotti
I’m Mattia Galeotti and I’m a drummer from Firenzuola, in the mountains between Florence and Bologna. I started to play drums at the music school of my hometown then I went to study jazz drums at the bachelor program of Siena Jazz University, where I graduated last year.
I’m lucky to be the drummer of Francesca Gaza “Kugelförmigkeit”.
tashmane
If you want to compose like I do (I consider myself as a composer more than an instrumentalist), don’t lie to yourself, don’t try to be someone else, use your memory and musical influences from the beginning of your life until now, put them in a blender and serve us a good (non-alcoholic) cocktail.
francesca gaza
What I generally like to have is a direction, or a sort of fil rouge of any kind. It can be a musical motive, or an instrumentation that I particularly like or a text (which might also then not be used, but be there as a sub-text for me). What I generally do is that I start writing and often I feel stuck because my music indicates a pulse and a time very clearly, which I don’t really like often. So what I do, and most of the times helps me out, is to write a choral without using the piano. Just from the skeleton idea of a harmonic or melodic 3/4 voice piano part, I start imagining that it will be sung by 4 voices from Bach’s time. That often gets me out of the "stuck mode”.
What I like to have, is a little notebook with music paper where I write down small ideas, that seem insignificant, and then after a while I open it and often one of the many ideas pops out and feels right to be used.

